Edmonton Folk Music Festival 2018 is beginning at the end of this week and here are our picks of what we can’t wait to hear this festival.
Most Anticipated Artists
Twila: Molly Tuttle
Asking this is like asking me to pick my favourite ice cream—my answer changes every few minutes, depending on everything from the rotation of the earth to what artist CKUA just played. Being forced to decide at this very moment, I’m going to pick Molly Tuttle. She played the Uptown Folk Club’s Winterfest in 2017 and was absolutely phenomenal, so I’m looking forward to hearing her again.
Sable: Kaia Kater
A proficient banjo player and warm vocals by Kaia Kater? Yes, please. I have yet to see her play live but I am excited to hear her tunes filling up the session stages.
Most Anticipated Workshop
I have always been a fan of the Wailin’ Jennys even before I attended my first Folk Fest. I think this workshop will be packed with emotional and vocal feeling. My favourite kind of session ambiance.
I travel abroad a fair amount, and usually, that travel is solo. So when I’m a bit homesick, wishing to hear a Western Canadian accent and not to have to explain for the hundredth time (I exaggerate but not by much) where Edmonton is located I like to pull up my playlist with James Keelaghan and The Bros. Landreth on it. I’ve never heard Twin Bandit live, but their recordings make me hopeful that along with fabulous Dave Gunning & J.P. Cormier that this session is going to unbelievable.
The possibility of multiple bagpipes? Yes, please. I saw them play at EFMF years ago, and have gotten a number of messages (mostly along the lines of “OH MY GOODNESS HAVE YOU HEARD BREABACH??? YOU’LL LOVE THEM!”) from friends who have heard them play in the intervening years. Such enthusiasm from such a wide group of friends means that I’m looking forward to reaquainting myself with the sounds of Breabach this weekend.
Sable: Milk Carton Kids
I can’t wait to see this duo dressed in their dark, trim suits and singing into a shared microphones . Their dreamy vocals and agile guitar licks perfectly meld into a cohesive entity of sound. It’s the perfect music to listen to while staring up at the sky on Gallagher Hill.
See you on the hill!
How goes life on the road so far this December?
It’s been great so far. Lucky to travel with such a good group of guys.
Last year you spoke about how it was a therapeutic process and there was a palpable sense of hope with your album, I Wanna Make it With You. As 2017 draws to a close, did that feeling of hope linger on or change?
Hope never dies – that current is my favourite part of “I wanna make it with you”. The new songs all have that hope as well, it’s something I can easily get behind.
I have always gotten your adventurous and open spirit in your previous shows whether it’s having a gospel choir up on stage with you, playing house concerts, or having dancers join you on stage, what can Arden Theatre audiences look forward to your live show this time around?
The show this year is harmony rich – there are some wide driving moments with the band with some acoustic moments laden with harmony.
Why is it important for you to include local musicians and support local music when you visit a community?
I think it is important to me to meet locals of all kinds. It has been an incredible experience meeting local musicians over the years.
Since it is getting close to the holidays, do you have any favourite tunes or traditions?
I’m not great with the holiday tunes, but I promise to be holiday social in the lobby after the show
Is there anything else you would like to mention that I’ve missed?
Thank you for the wonderful questions. Looking forward to the Arden and a nice pre-holiday visit with the great people in Edmonton/St Albert!
MBF performs at the Arden Theatre Friday, December 15, 2017 at 7:30 PM. See this link for ticket details.
The Dead South at New Moon drew both a sizeable audience (the show sold out months in advance) and a selfie-taking one (but I’ve got to admit the kickdrum was a pretty good backdrop). The Regina-based band’s music is visceral, pulling you into the drama of the song’s lyrics with the gritty coarse vocal delivery; versatile, moving easily from sweeping melodies in the cello to fiery banjo solos; and viral, see the intense online following generated in part by their music video for “In Hell I’ll Be in Good Company”. Looking towards the bar area, you might have thought you were at a Whyte Ave bar rather than at a folk club watching a show, as people gathered to dance or (often more accurately) sway to the music drinks in hand. The enthusiasm (standing for nearly three hours) was not limited to this stalwart set of individuals but permeated throughout the hall as spontaneously people jumped up and began to sing and dance along.
I’ll admit my previous (lack of) knowledge of The Dead South came from the radio and a few videos on YouTube— I’d never seen them live, and the theatricality of the show caught me a bit by surprise. Right away the stage set-up which included some cattle skulls/horns and a fence post sign and the uniform style of the band’s clothing gave off a very old-timey wild west vibe. Then there was the music (theirs I assume) that accompanied the band’s entrance to the stage which to me was very unexpected—I don’t think I’ve ever see a band at a folk club have entrance music before. Third, the storm scene for “The Massacre of El Kuroke”—I had wondered how they’d deal with extra-musical sounds—turns out they had a recording that they played against. Less surprising, given the many takes the video must have taken to shoot, but nonetheless delightful was the excellent choreography (from cracking beers to the finger snap shuffle) for “In Hell I’ll Be in Good Company”. The theatrical elements blended just the right amount of extra-musical entertainment to go along with the intricate foot-stomping musical performance.
The whole evening, which began with an opening set from Red Deer’s Boots & The Hoots, was a throwback to the wild west (maybe the imagined lands of spaghetti western fame?) and the golden era of country & western music. It was visceral, versatile, and given the tightness of the musical performance certain to go viral beyond the digital realm—I know I’ve been whistling the opening to “In Hell” all day.
The New Moon Folk Club season reconvenes in the new year with Belle Plaine on January 26th.