The words on Danny Michel‘s red guitar (matching those found on the late Pete Seeger’s banjo) state: “This machine surrounds hate and forces it to surrender.” Friday night’s show epitomized that same message, that the love embedded in music could conquer all. From “Feather, Fur & Fin”, to “Sad & Beautiful World”, and eventually “Click, Click” Michel led us to sense a profound connection between his music and the reality that we now are living. The concert was a moment away from the ugliness that has bubbled to the surface in 2016, but it wasn’t an escape.
But the current Geo-polictical reality wasn’t the only theme of the evening, technology-mediated connections also played an integral role. Both Michel, and the opener Mohsin Zaman, are familiar with stage technology utilising loop pedals to create invisible backing bands, but as strange as the one-man-tech-band may have seemed 15 years ago, on Friday it was the technology of the phone that was featured in a different way. Beginning with Zaman calling/skyping his sister in Dubai (she seemed far more gracious than I would have been if my brother had called me at 7 on a Saturday morning); and, later on in the evening we got a sneak preview of some of the orchestral parts in Khlebnikov the album Michel wrote this past summer on an ice-breaker in the arctic with astronaut Chris Hadfield (can we all just take a moment to realise how cool of an adventure that must have been???) when he played a track through his phone. And with those two phone moments it became clear that the evening was about connections — those between us and the performers, between the songwriter and the topic, between the music and the lyrics.
Through out the evening Michel drew on the wealth of his extensive back catalogue (playing requests called out from the audience) in addition to newer works such as those off of Khlebnikov … check out “24,000 Horses” now:
In typical Danny Michel fashion the music mixed the thoughtful (“Nobody Rules You”) with the humorous (“Wish Willy’s” & “Whale of a Tale”), the nerdy with the sublime (“Samantha’s in the Sky with Diamonds”), and left us all questioning how we can make the world a better place (“Who’s Gonna Miss You” & “Sad and Beautiful World”). Khlebnikov, due out in January 2017, promises to continue the tradition of Michel’s earlier writing, although this time with a bit of a Russian-classical music twist … take the final few lines of “24,000 Horses”:
Through the northwest passage
I stand at the bow
And I thought I’d seen beauty
Until right here right now
Once we had dreams
but they fell through the seams
Like the ice here all melting away
The precise memories of the New Moon show in time will melt away, but maybe the message of the songs that were sung that night will remain.
The past three New Moon Folk Club shows have been sell-outs. To avoid the disappointment of missing a Friday-night folk music fix in 2017 when the club resumes on January 13th with Ben Rogers you can get five-pack of tickets for the 2017 shows. Please see the New Moon site for details.