Joël Fafard kicked off the New Moon Folk Club’s double bill of Blues offerings with gritty vocals and punny intersong banter. Fafard’s Jitterbug Swing had an agile bluesy swing, Woodshed Blues vocals had a tone of lamentation, while the instrumental track Sweet Mosquito Buzz showcased his slide dexterity. He shared aural glimpses into his family when introducing tunes like If I had a Boat where he noted his son’s wish to be a hockey player which was later replaced with aspirations to be a pirate. He reasoned that any good pirate would need a ship for pillaging, but a good pirate captain would require excellent swordsmanship skills, thus, that is where fencing lessons settled as the current pursuit.
Michael Jerome Browne’s set had an ethnomusicological feel to it as he would provide a historical backstory before each one of his songs. He brought an array of instruments such as a guitar from the 1940s, mandolin, 12-string guitar, and a gourd banjo with which to showcase his encyclopedic musical knowledge. His set list contained tunes spanning back to content he recorded back in the early 1990s but they still sounded relevant in our modern times. He played the tracks such as Got your Summer Shoes On and Living in the Whitehouse with class calmly switching out different harmonicas, stringed instruments, and updating tuning between each of the songs to offer an accurate performance of his work. Browne ended his set with a the title track from his 2016 album Can’t Keep a Good Man Down and he dedicated a heartfelt encore of Sam Cooke’s That’s Where It’s At to all the lovers in the audience.