It’s been great so far. Lucky to travel with such a good group of guys.
Last year you spoke about how it was a therapeutic process and there was a palpable sense of hope with your album, I Wanna Make it With You. As 2017 draws to a close, did that feeling of hope linger on or change?
Hope never dies – that current is my favourite part of “I wanna make it with you”. The new songs all have that hope as well, it’s something I can easily get behind.
I have always gotten your adventurous and open spirit in your previous shows whether it’s having a gospel choir up on stage with you, playing house concerts, or having dancers join you on stage, what can Arden Theatre audiences look forward to your live show this time around?
The show this year is harmony rich – there are some wide driving moments with the band with some acoustic moments laden with harmony.
Why is it important for you to include local musicians and support local music when you visit a community?
I think it is important to me to meet locals of all kinds. It has been an incredible experience meeting local musicians over the years.
Since it is getting close to the holidays, do you have any favourite tunes or traditions?
I’m not great with the holiday tunes, but I promise to be holiday social in the lobby after the show
Is there anything else you would like to mention that I’ve missed?
Thank you for the wonderful questions. Looking forward to the Arden and a nice pre-holiday visit with the great people in Edmonton/St Albert!
In anticipation of their upcoming sold-out concert at the Arden Theatre, Teresa Ennis, speaks with Folk on the Road about their Holiday Tour.
How does it feel hitting the road again with your Christmas Tour for the eighth time?
Our Christmas show is so much fun! It’s hard to believe that this is our 8th Annual Christmas tour. Each year, we add new songs, stories and dances to keep the show fresh and exciting for us and the audience. There’s so much excitement and magic in the air at Christmastime and it’s great fun to share that with large groups of people all over the country.
What is one of your favourite moments or songs from the Christmas set list?
One of my favourite moments is when we sing a medley of Christmas classics and the audience sings along with us. It’s like singing with a giant choir. Sometimes audience members will even throw in a few harmonies. It’s fun to get the crowd to participate in the music and I think they enjoy it too.
What is one of your initial Christmas memories singing together?
As far back as I can remember, music has always been a big part of our Christmas tradition. We grew up in a very musical household where singing and dancing was always a given for any special occasion, especially at Christmastime. I remember my grandfather and father playing tunes on the button accordion (traditional NL instrument) on Christmas Day and dancing along with my sisters when we were little girls. As we got older, we naturally learned how to play and sing that music for ourselves. I’m so thankful to be able to share that gift today!
Do you have any Ennis family holidays traditions from Newfoundland that you can share with us?
Like so many others, family, food and music are a big part of our Christmas traditions. Each year on Christmas Eve, our mother cooks a traditional Newfoundland meal- salt fish n brewis, toutons and baked beans- and we sit at the table and take some time to enjoy each other’s company. On Christmas Day, we gather with close, extended family members for a traditional NL jiggs dinner with music to follow. I love it!
You really get to have a comprehensive east to west survey of Canada from Cornerbrook to Nanaimo leading up to Christmas, is there anything that stands out to you as a performer when you meet audiences from coast to coast during the holiday season?
We started this tour 8 years ago and toured it across Newfoundland. Then we began getting requests to bring it to the mainland. Three years ago, we started our cross Canada Christmas tour! We are always amazed at how audiences from coast to coast respond to our music. People love the energy of our show and hearing about the traditions and songs we have in NL. Everyone leaves feeling as if they just had a little glimpse into what Christmas is like back home.
What else would you like to mention?
We have released three Christmas albums and 9 non-holidays albums over our 20 year career. Our upcoming non-holiday album will be released in the spring of 2018 and was produced by famed musician, best selling author, actor and fellow Newfoundlander, Alan Doyle.
From the humble beginnings as a high school band, North of Here, made their debut at the Edmonton Folk Music Festival this weekend. North of Here, comprised of Luke Jansen on vocals, banjo, and bass; Ian St. Arnaud on vocals and mandolin, Will Holowaychuk on vocal and percussion, revealed that they did not grow up in households with a heritage of music-making. There were no mandolins, fiddles, and banjo’s scattered throughout their homes for them to experiment on and self-teach. Luke noted that he and Ian have a background in piano but they began to learn more instruments once they formed the band. Will shared that with the exception of playing percussion instruments in school band classes, he picked up a guitar when they started the band. Ian notes, it provides “a great incentive to get better.” They express the sentiment that, by working together, they make each other better musicians.
Sable: This was the first Folk Fest where I could feel my stamina slipping. Whether it was coming off from a OSHEAGA-packed weekend in Montreal or just general summer lethargy, I had to shake myself awake in the Saturday afternoon heat and will myself to get out of bed on Sunday. However, I was still there for a majority of the festival and I was happy to soak in the tunes and the rays to fuel me for another year.
Twila: This year in addition to my Folk on the Road duties, I also volunteered for the Greetings crew. The extra-early starts combined with the late nights of photos etc. definitely took a toll on me—meaning I ended up taking a few serious tarp naps (sometimes when I thought I’d just rest my eyes).
Note: Twila’s sister, Ardelle, took this accompanying pic of Twila passed out with a death grip on her coffee thermos.
Favourite Festival Moment
Twila: Having just mentioned that I took an unintended tarp nap (or two) and the fact that I am still recovering from lack of sleep I’d still have to say that my favourite festival moments all derived from the camaraderie of volunteering. The people I met while volunteering were interesting and all had fantastic tales of folk fests past. Most of my folkie friends have been volunteering for 10+ years, so I have a ways to go before I unlock that level of volunteer achievement, but I think that if they’ll have me that I will be back again next year.
Sable: Folk on the Road has been attending the EFMF for the past years now as media but this year I feel like we really hit our stride in the media tent. I enjoyed saying hello to all the familiar faces and volunteers in the media tent day after day. The volunteers do an amazing job of keeping a quiet and safe place for media to work as well as liaising with artists and their agents to book interviews. I wish I had this crew with me throughout the year to follow-up on e-mails and phone calls. It makes doing FOTR, which is a volunteer and passion driven project as well, so much easier in achieving our goal of sharing the work of fantastic artists.
Favourite New Discovery
Sable: For me it’s a close call between Marlon Williams and Darlingside but I think Darlingside wins out for me this time. I love the cooperative use of the microphone which creates a dreamy, choral sound with the soft strums of their acoustic. They sound like one musical organism when they’re all singing and standing together like that. I hope this is not the last time I see them perform live.
Twila: I was also really delighted by Darlingside’s harmonies, but Ten Strings and a Goat Skin get my vote for my favourite new musical discovery at EFMF 2017. The trio was having such a good time, you couldn’t help but be pulled into the joy in their music making. Also I loved how they slipped between different instrumental sets and songs, with ease. I can hardly wait to see them play again next weekend at the Bear Creek Folk Fest!
Twila: STAGE 3, Northern Exposure, Friday August 11, 2017. [Colleen Brown, The Jerry Cans, Dylan Menzie, Altameda]
There is a reason that The Jerry Cans won EFMF’s emerging artist award … musically they make everything better. At this session, they jammed along with everyone, creating a truly beautiful folk fest workshop experience. Just thinking back on how The Jerry Cans fit themselves into this workshop brings a smile to my face.
Sable: STAGE 6, Sing Out, Friday August 11, 2017. [Birds of Chicago, Darlingside, Brandi Carlile, Rhiannon Giddens]
There was a moment of utter vocal duo beauty from Allison Russell from Birds of Chicago and Rhiannon Giddens during that workshop. It was the perfect vocal pairing and they knew it too as they gazes at each other interweaving their melodic and harmonic lines for Barley by Birds of Chicago.
A few thousand kilometres from his home province of PEI, Dylan Menzie, 22, arrives in Edmonton to play his largest Folk Music Festival to date. “The energy at this festival is unlike anything I’ve felt before. I’ve heard on the Sunday night finale, when all the candles come out and thousands singing along together, I’m excited to see that. I’ve never played to that many people before,” he reveals before continuing, “it is such a relaxing environment even though there is thousands of people.”
I find it hard to resist the melodic and harmonic intertwining of treble voices. Their upcoming performances at EFMF is significant because its their only North American stop on their summer festival circuit with their other dates based in England, Scotland, and Finland. While their recent series of folk music symphonic collaborations demonstrate a progressive move to share their art, I am excited to see them in their raw vocal form.
I’m about 95% sure I ran across The Jerry Cans at a folk fest a few years ago, and seem to remember enjoying what I heard immensely. However, surrounded now with old festival programs I can’t seem to put my finger on where & when exactly that crossing of paths might have taken place. Regardless of my own questionable memory, The Jerry Cans are my pick for most anticipated artist of EFMF 2017 … have you heard their cover of The Hip’s “Ahead by a Century”?
Most Anticipated Workshop
Sable: Talking About My Generation; Saturday, August 12, 11:00 AM – 12:20 PM; STAGE 6
I will be in the mood for some mellow vocals and heavy strums of the acoustic guitar at this Saturday morning session. I find the workshop title alluring since it’s always interesting to consider perspective through a distinct musical voice.
Twila: Ceili; Saturday August 12, 11:00 AM–12:30 PM; STAGE 5
On Saturday morning I’m anticipating requiring the high energy infusion that is an EFMF Ceili. Hopefully these talented artists blending, Irish, Scottish & Acadian trad music, will make up for me running on lots of coffee and very little sleep.
The sweet tunes of Allison Russell and JT Nero last played to a sell-out crowd at New Moon Folk Club. That performance left YEG audiences with a desire for a return visit. I am so excited to listen to their tunes on the hill!
Rose Cousins knows when and how to deliver a comedic zinger. She has the perfect onstage proportions of self-deprecation, modesty, confidence, vulnerability, and authenticity when sharing her lyrical perspective on the world. These traits are woven throughout the fabric of her show. Whether she is demonstrating her Islander accent and colloquial phrases, deciding which dog each one of her band members should own, or giving a heart-felt thanks to the audience for supporting live music and allowing her to continue her career as a singer-songwriter, her genuineness shines through and you don’t feel like your city was simply another in a long line of shows.
Audience emotions fluctuated between laughter and tears, while Cousins, with a smile, let us know that feelings were welcome. She is happy to assume the responsibility of providing a somber soundtrack for scenes of death in TV shows, a fact she expressed before she started into the heart-wrenching Go First. Introduced with the quip “We’ve just been through the ides of March, which is where Julius Caesar gets stabbed in the back by Brutus. This song isn’t about that, but is about getting stabbed in the back” My Friend aptly expressed the dichotomy between light and dark which was at the heart of Cousins’ performance.
The rapport between Cousins and her band members exuded a quiet strength. Their instrumental offerings supported Cousins acoustic music-making without every over-powering her. They also played peppy transition music as she moved between her acoustic guitar and the piano, lightening the mood between songs before we were plunged into emotional depths. She warned the audience that things only get sadder when she is at the piano. She was not wrong since, in fact, her piano works were the most trance-like moments of the show. The translucent stage fog was lit like a funnel of light from the overhead spotlights. It created an intimate atmosphere for songs such as White Flag, Tender is the Man, Like Trees, and her Donoughmore encore off of her Natural Conclusion album. As much as a Cousins show can be a bit of an emotional rollercoaster, the dark and somber songs are always accompanied by a bit of hope. Leonard Cohen’s oft-quoted “there is a crack in everything … that’s how the light gets in” line, seems an appropriate description of Cousins’ show.
Port Cities opened the concert with their stripped back harmonies. Cousins’ jokingly described them as “young whipper-snappers” and the trio does exude a youthfulness although they have also achieved success on the CBC Radio 2 chart and co-written songs with the likes of Donovan Woods. Port Cities’ version of On the nights you stay home captured the darker edge of the Cape Breton phrase, while Sound of Your Voicedemonstrated the complexity of the trio’s music. The opening set wasn’t their only contribution to the evening, as Cousins called them back out to act as the choir on Grace. The trio just released their first album, featuring their tight harmonies and it will be interesting to follow them wherever the future takes them.
The Arden’s eclectic schedule continues with groups like Delhi 2 Dublin, The Small Glories and John Wort Hannam please see their website for ticket details.