Spoken word Artists and Bassist, Pat Braden, from the New North Collective takes some time to speak with Folk on the Road while on are on tour.
What is the significance for you to live a traditional lifestyle but translate this for contemporary audiences?
In our understanding of a traditional lifestyle, we see ourselves as contemporary northern artists. We connect to traditions in our individual lives through language, community, our teachers and elders and living like most northerners do by connecting daily to the land. We interpret our northern lifestyle through our music, acknowledging and paying respect to the traditional cultures that have formed and influenced us. These traditional values as well as our own stories and experiences of living in today’s modern world are all subjects that we write about in the NNC.
Do you have any specific memories of living in the North that was formative in you becoming an Artist?
Pat: My Mother played organ in the church for as long as I can remember and my brothers would bring home LP records and Rolling Stone magazines which I consumed voraciously. As a boy in the mid 1960s, I had the opportunity to hear a few of the local musicians playing around town. In the basement of the Legion one Christmas, I was able to catch a glimpse of a guitar player on the stage and thought that was the coolest thing I had ever seen. Later on, I got to know that guitar player and after I started to play music in Yellowknife, many of the other musicians as well who played music through the 1960s and 1970s.
What does a collaborative session with the other Artists look like when you are rehearsing?
Our rehearsals or writing sessions have taken place in recording studios, performance spaces and in one of our sessions, in Burwash Landing in Kluane Park, YT at Diyet and Robert’s home where we were quite rudely interrupted by a visiting grizzly bear.
We set up our instruments and amplifiers in a circular or semicircular arrangement and jam and pitch ideas back and forth until we have the structure of a song. There are usually band member’s children around our sessions as the work/life balance can be demanding for all of us. This also helps to keep our work real with family close by. Meal times and downtimes are also an important part of our process as we take these times to reflect and discuss the work of the day.
New North Collective – First Sign of Spring from Brett Elliot on Vimeo.
It has been mentioned that there is a common goal in NNC to discard the stereotypes of the North, instead, what image do you wish to leave audiences with instead?
We hope that an audience will leave with a sense of having been invited into our lives and welcomed into our community. Leaving our concert with a small sense of freedom and leaving whatever assumptions of the north that came in the door of north behind. Maybe a spark for an adventure and desire to learn more about this incredible, diverse and humble part of the country.
Members of the NNC are passionate about a wide range of musical styles, including folk, rock, jazz, improvisation, classical, singer-songwriter, storytelling, etc. and we bring them together in the Collective.
What is the personal significance for you to be a part of the NNC?
Pat: It is important to be a part of a group of northern based musicians who have similar values, lifestyles, life experience that we all wish to express in our music. It is also significant in that this is based on first and foremost, the creation and performance of collective / collaborative created music. Each of us have our own solo careers but the NNC gives us a chance to contribute new ideas to a collective process and to gather new ideas for our own personal creative works.
New North Collective will be performing at the Arden Theatre on Saturday January 28, 2017.