Tag Archives: Edmonton Folk Music Festival

Top Picks from EFMF 2017

Main Stage

Sable: This was the first Folk Fest where I could feel my stamina slipping. Whether it was coming off from a OSHEAGA-packed weekend in Montreal or just general summer lethargy, I had to shake myself awake in the Saturday afternoon heat and will myself to get out of bed on Sunday. However, I was still there for a majority of the festival and I was happy to soak in the tunes and the rays to fuel me for another year.

 

Twila: This year in addition to my Folk on the Road duties, I also volunteered for the Greetings crew. The extra-early starts combined with the late nights of photos etc. definitely took a toll on me—meaning I ended up taking a few serious tarp naps (sometimes when I thought I’d just rest my eyes).

Note: Twila’s sister, Ardelle, took this accompanying pic of Twila passed out with a death grip on her coffee thermos.

Favourite Festival Moment

Twila: Having just mentioned that I took an unintended tarp nap (or two) and the fact that I am still recovering from lack of sleep I’d still have to say that my favourite festival moments all derived from the camaraderie of volunteering. The people I met while volunteering were interesting and all had fantastic tales of folk fests past. Most of my folkie friends have been volunteering for 10+ years, so I have a ways to go before I unlock that level of volunteer achievement, but I think that if they’ll have me that I will be back again next year.

Sable: Folk on the Road has been attending the EFMF for the past years now as media but this year I feel like we really hit our stride in the media tent. I enjoyed saying hello to all the familiar faces and volunteers in the media tent day after day. The volunteers do an amazing job of keeping a quiet and safe place for media to work as well as liaising with artists and their agents to book interviews. I wish I had this crew with me throughout the year to follow-up on e-mails and phone calls. It makes doing FOTR, which is a volunteer and passion driven project as well, so much easier in achieving our goal of sharing the work of fantastic artists.

 

Favourite New Discovery

Sable: For me it’s a close call between Marlon Williams  and Darlingside but I think Darlingside wins out for me this time. I love the cooperative use of the microphone which creates a dreamy, choral sound with the soft strums of their acoustic. They sound like one musical organism when they’re all singing and standing together like that. I hope this is not the last time I see them perform live.

Twila: I was also really delighted by Darlingside’s harmonies, but Ten Strings and a Goat Skin get my vote for my favourite new musical discovery at EFMF 2017. The trio was having such a good time, you couldn’t help but be pulled into the joy in their music making. Also I loved how they slipped between different instrumental sets and songs, with ease. I can hardly wait to see them play again next weekend at the Bear Creek Folk Fest!

 

Favourite Workshop

Twila: STAGE 3, Northern Exposure, Friday August 11, 2017. [Colleen Brown, The Jerry Cans, Dylan Menzie, Altameda]

There is a reason that The Jerry Cans won EFMF’s emerging artist award … musically they make everything better. At this session, they jammed along with everyone, creating a truly beautiful folk fest workshop experience. Just thinking back on how The Jerry Cans fit themselves into this workshop brings a smile to my face.

Sable: STAGE 6, Sing Out, Friday August 11, 2017. [Birds of Chicago, Darlingside, Brandi Carlile, Rhiannon Giddens]

There was a moment of utter vocal duo beauty from Allison Russell from Birds of Chicago and Rhiannon Giddens during that workshop. It was the perfect vocal pairing and they knew it too as they gazes at each other interweaving their melodic and harmonic lines for Barley by Birds of Chicago.

See you next year on the Hill for #EFMF2018!

 

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An Interview with Dylan Menzie

A few thousand kilometres from his home province of PEI, Dylan Menzie, 22, arrives in Edmonton to play his largest Folk Music Festival to date. “The energy at this festival is unlike anything I’ve felt before. I’ve heard on the Sunday night finale, when all the candles come out and thousands singing along together, I’m excited to see that. I’ve never played to that many people before,” he reveals before continuing, “it is such a relaxing environment even though there is thousands of people.”

Continue reading An Interview with Dylan Menzie

Day 4 @ EFMF 2017

Some scenes from the final day of the 2017 Edmonton Folk Music Festival.

Saturday in the sun

We had gorgeous weather for the Saturday of the 2017 Edmonton Folk Music Festival!

Friday on the Hill

Friday signaled the start of workshop sessions at the 2017 Edmonton Folk Music Festival.

EFMF 2017 Pre-Fest Picks

Edmonton Folk Music Festival is just around the corner and here are our picks of what we can’t wait to hear this festival.

Most Anticipated Artists

Sable: The Unthanks

I find it hard to resist the melodic and harmonic intertwining of treble voices. Their upcoming performances at EFMF is significant because its their only North American stop on their summer festival circuit with their other dates based in England, Scotland, and Finland. While their recent series of folk music symphonic collaborations demonstrate a progressive move to share their art, I am excited to see them in their raw vocal form.

Twila: The Jerry Cans

I’m about 95% sure I ran across The Jerry Cans at a folk fest a few years ago, and seem to remember enjoying what I heard immensely. However, surrounded now with old festival programs I can’t seem to put my finger on where & when exactly that crossing of paths might have taken place. Regardless of my own questionable memory, The Jerry Cans are my pick for most anticipated artist of EFMF 2017 … have you heard their cover of The Hip’s “Ahead by a Century”?

Most Anticipated Workshop

Sable: Talking About My Generation; Saturday, August 12, 11:00 AM – 12:20 PM; STAGE 6

Artists: Altameda, Andy Shauf, Birds of Chicago, Colleen Brown and Major Love

I will be in the mood for some mellow vocals and heavy strums of the acoustic guitar at this Saturday morning session. I find the workshop title alluring since it’s always interesting to consider perspective through a distinct musical voice.




Twila: Ceili; Saturday August 12, 11:00 AM–12:30 PM; STAGE 5

Artists: Duncan Chisholm, Four Men and a Dog, Ten Strings and a Goat Skin, The Paul McKenna Band

On Saturday morning I’m anticipating requiring the high energy infusion that is an EFMF Ceili. Hopefully these talented artists blending, Irish, Scottish & Acadian trad music, will make up for me running on lots of coffee and very little sleep.

 

Old Favourites

Sable: Birds of Chicago

The sweet tunes of Allison Russell and JT Nero last played to a sell-out crowd at New Moon Folk Club. That performance left YEG audiences with a desire for a return visit. I am so excited to listen to their tunes on the hill!

Twila: Solo (De Temps Antan and Le Vent Du Nord)

Combining two amazing Quebec trad bands = essentially one of the greatest ideas yet. It’ll be a powerful kick off to EFMF 2017.

St. John’s Waltz – A Ron Hynes Tribute at Northern Lights Folk Club

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Northern Lights Folk Club is hosting a Ron Hynes tribute with musicians, Maria Dunn, Eileen Laverty, Saskatchewan’s Tom Wilson, Bill Werthmann, Ben Sures and Shantel Koenig sharing their voices to honor his tunes.

Singer-Songwriter, Maria Dunn, had time to speak with FOTR in anticipation of the upcoming performance at NLFC.

What is the significance for you as a singer/songwriter to pay tribute to Ron Hynes?

Ron Hynes was a profoundly gifted songwriter who wrote so eloquently about Newfoundland and its people, bringing that part of our country to life in his songs.
His songs made a huge impact, in Newfoundland, across Canada and beyond. Sonny’s Dream is sung by people everywhere and was recorded by artists as varied as country star Emmylou Harris and Scottish folk singer Hamish Imlach.

As a songwriter who wants to improve my craft all the time, I admire Ron’s ability with words, story, melody, point of view. His catalogue of moving and memorable songs is huge.

Do you have any specific musical memories of Ron Hynes tunes from your childhood?

I didn’t know Ron’s music as a child, but became aware of his songs in my 20s, when I was a volunteer DJ with a weekly folk/roots show on CJSR FM88, University of Alberta Campus/Community Radio in Edmonton. In fact, Hamish Imlach’s version of Sonny’s Dream might have been one of the first that I heard in the late 1980s.

By the time I met Ron Hynes in person, at the 1999 Vancouver Island Folk Festival, I was sufficiently in awe of his abilities as a writer and not very articulate about how much I admired his songwriting. He was kind to me in that first meeting and encouraging in many other meetings over the years at the Edmonton Folk Music Festival, the Northern Lights Folk Club (Edmonton) and The Ship Inn in St. John’s, NL.

Around that same time, I heard a CBC Radio live recording with Ron singing a song of his that I hadn’t heard before. I rushed to record it on cassette and caught about half the song. It was called “Dublin With Love”. In those years, I still drove a Firefly hatchback with a cassette deck as part of the car stereo and for several weeks, every time I was driving in that car, I would play that half-a-song and harmonize with Ron, I loved his singing of that melody that much. Lo and behold, the Edmonton Folk Festival rolled around a summer or two later and Terry Wickham gave me the wonderful opportunity of performing on a session stage with several Atlantic Canadian music icons, including Ron Hynes and Cape Breton Fiddler Buddy McMaster. Of all the songs that “The Man of a Thousand Songs” could have chosen to sing in that session, he started Dublin With Love. When I chimed in with the harmony that I had been singing for weeks in my car, he raised his eyebrows and gave me a sidelong glance which seemed encouraging at the time (as opposed to a “stop-that-racket!” glare). The experience was one of those little dreams come true, getting to sing along with one of my songwriting heroes! I must have done OK, because he invited me back to sing harmony with him at his folk fest concert the next afternoon.

What are you most looking forward to at the Ron Hynes tribute?

Hearing Eileen Laverty sing my favourite Ron Hynes song, Godspeed, written for the late songwriter Gene MacLellan (writer of Anne Murray’s hit song “Snowbird”) and brilliantly referencing Gene’s own song “Put Your Hand In The Hand Of The Man”. Ron had huge respect for Gene’s songwriting talent and his compassion in this song for Gene (who had taken his own life) rings through every line. Godspeed always moves me to tears and Eileen is a beautiful interpreter of songs. She will do a gorgeous job, I’m sure!

What current projects are you currently focused on in your own repertoire?

I am currently promoting and touring the new album, released in April 2016, entitled Gathering.

I’m thrilled that Gathering has received some accolades recently:

(1) Winner – 2016 Independent Music Award – Social Action Song category for the song “Malala”
(2) Shortlisted for the 2016 Edmonton Music Prize

In the months ahead:

I’ll be heading to Folk Alliance 2017 in February. I’ve been selected to perform an Official Showcase.
March 2017, I’ll be performing 4 special Triple Bill concerts in NY State with two US songwriters Si Kahn (legendary songwriter of “Aragon Mill”) and Joe Jencks.
Sep 2017, I’ll be heading back to the UK for another month-long tour of folk clubs.
And more dates to come in Summer 2017.
All shows will be posted on the website at: http://www.mariadunn.com
Folks interested in my music can subscribe to my e-mailing list there too, listen to lots of song samples and purchase the music.

Newfoundland has a rich history of folk music but you have documented many tales in Alberta which you have shared through song, what kind of stories inspire you to communicate them?

Stories of resilience and grace in the face of adversity.
Stories of courage and compassion.
Stories of so-called “ordinary” people doing extraordinary things.
Stories of people standing up to injustice.

The most recent CD, Gathering, is devoted to celebrating those kinds of stories with songs of family, community, humanity and the love that fires our actions to make the world a better place. In keeping with Pete Seeger’s words (1994), “The key to the future of the world is finding the optimistic stories and letting them be known”, the songs range from historical and narrative to personal and immediate, inspired by social justice stories both global (Malala, When The Grandmothers Meet) and local (When I Was Young, How I Live).

Stories from our history that I think more people should know about, for e.g:
When I Was Young – inspired by the 1980s-90s work of indigenous rights activist Dorothy McDonald-Hyde for her community, the Fort McKay First Nation.

We Were Good People – tells the story of the 1932 Hunger March in Edmonton

In the Shadow of the Rockies – about Ukrainian Canadians forced into the Castle Mountain internment camp (Banff National Park) in WWI
I Cannot Tell You – the story of a Vietnamese refugee coming to Canada in the late 70s

The Ron Hynes tribute is Saturday, November 26, 2016. Please see the NLFC Website for more ticket information. Upcoming acts at the NLFC include Rosie and the Riveters and Jim and Penny Malmberg,