Not to jinx anything but spring has finally, maybe, almost certainly sprung in the city of champions and Brodie Dawson and Luke Blu Guthrie played to a packed house (literally) of exuberant Edmontonians finally free of the shackles of winter. Just as spring’s sudden arrival juxtaposes with the bleakness of an interminable winter, Dawson and Guthrie’s songs on Saturday played off of one another, switching between light and dark, heavy and light.
As the audience drifted into a basement space to hear the concert Guthrie jammed away on his guitar providing a musical underpinning to the sometimes awkward portion of a house concert, the in-between space where people are still searching for the drink they put down, grabbing that final snack and nabbing a seat in a room where the detritus of daily life has been moved aside for the evening. No longer a party and not yet quite a concert.
Once everyone had found a place Guthrie started with “Keep On Shuffling” which acted as a fantastic introduction to Dawson’s “I’m Moving On”. Throughout the night the two switched off on lead vocals (based on who wrote the song) but the contrast and similarities between the song pairings continued to be one of the most intriguing aspects of the show. With “Halfway There” Dawson allowed us a glimpse of her experience living and then leaving Yellowknife, while Guthrie’s “Canadian Clearly” (even with his quirky bigfoot references) struck a chord about tensions between and within Canadian culture(s).
Ending the first set was a cover of “Love Has No Pride” which Dawson knew from Bonnie Raitt’s version (Bonus Fact: it was written by Eric Kaz and Libby Titus) the crowd then dispersed up the stairs and around the house, refreshing drinks, refilling plates, and meeting the musicians in a kitchen filled with the scent of warm apples and cinnamon. Soon enough it was time for the second half, and again Guthrie bridged that transitory time between party and concert with guitar riffs. In the second half the audience was brought into the performance as back up singers for tunes like “Words/Divine Soul” and “Begin Again”. Guthrie illuminated the current housing crisis in BC and the recent great recession in the Southern US with the haunting and serious “Blood from a Stone”, which was paired with Dawson’s cheekily irreverent “Paycheque to Paycheque”.
The constant contrasts between two equally talent and yet very different musicians kept the concert entertaining and the show felt very balanced, somewhat surprisingly since they only started playing together around half a year ago. If you weren’t at Saturday’s gig and will be in southern Alberta or the interior of BC in the next few days you can catch them for a few shows on this tour, or you can find them on Facebook to find out the next time they are through town.